The Wurlitzer V is a high end software recreation of the classic Wurlitzer 200A electric piano.
Unlike sample libraries, its physical modeling engine reproduces the very acoustic properties of reeds, key action and amplification, bringing you high realism while offering maximum flexibility on sound.
As most producers know, the legendary bright and overdriven Wurlitzer sound heard on classic records also comes from the use of fine amplifiers, micing and processing. This is why the Wurlitzer V goes further by putting you in command of a studio from the 70’s, filled with vintage stompboxes and classic tube amps… everything you need to get a true classic vibe!
If you are looking for a lively electric piano combined with inspiring studio tools, the Wurlitzer V is the ultimate package.
- Physical Modeling of the classic Wurlitzer 200A Electric Piano
- Advanced parameters to allow in-depth control over your sound design
- Includes 11 classic stompbox-type modeled effects*
- 4 Guitar Tube Amps and 1 Rotary Speaker modeling for vintage live sound **
- Extensive MIDI mapping of pedals, effects and sound engine parameters
*Modeled amplifiers: Fender Deluxe Reverb Blackface, Fender Twin Reverb Blackface, Fender Bassman, Marshall Plexi, Leslie Speaker.
*Modeled microphones: Shure SM57, Sennheiser MD 421, Neumann U 87.
**Modeled effects: Wah wah pedal, Autowah, Overdrive, Flanger, Compressor, Phaser, Chorus, Delay, Pitch Shifter / Chorus, Vocal Filter, Reverb.
*The use of trademarks is only meant as a reference to clarify the instruments whose sound was modeled after and doesn’t imply any endorsement.
LM6 Radar Loudness Meter
Our acclaimed radar display has long proven an efficient solution when upgrading audio production for broadcast, film and music from unsatisfactory peak level indicators to loudness-based metering. LM6 Radar Loudness Meter gives you direct access to this revolutionary meter whether you are using Media Composer, Final Cut Pro X, Pro Tools, Logic Pro, Nuendo, Wavelab, Sequoia, etc. on a Mac or PC and whether your productions are in mono, stereo or 5.1.
Because LM6 is designed for demanding hosts such as Final Cut Pro and Media Composer, special attention has been devoted to "sleeping beauty" functionality: The plug-in works great even in environments restricted by screen space or by CPU resources. Besides from that, the user interface is similar to TC radar meters in LM2, TM7, TM9 or LM5D. If you are already familiar with the radar, crossing platforms is seamless, and you always get the correct numbers.
LM6 shows loudness history in a single, easy-to-read, radar-like view and each revolution can span from 1 minute to 24 hours. Further, you can log loudness history and other key information as a standard formatted text file.
LM6 employs a fully synchronous, high-headroom design in order to also display true-peak warnings and true-peak bar graphs correctly; and it conforms with all of the major broadcast standards such as ITU BS.1770-2, ATSC A/85, TR-B32 and EBU R128.
LM6 Radar Loudness Meter is available in Audio Units, VST, AAX and RTAS plug-in formats. No additional hardware such as Pro Tools TDM or PowerCore is needed – all you need is an iLok2 USB Key for holding the plug-in license.
In short, virtually all audio professionals now have access to the ultimate Loudness Meter, allowing them to deliver loudness-correct content. Get it right from the start!