Offre spéciale d'un LA 610 mkII avec une UAD Duo DSP offerte!Dans la limite du stock disponible
Native Instrument remet a jour son Controleur S4 avec une nouvelle mouture.
Le petit AKAl.MPX8 est en stock
Le Zoom H6 est en stock. Il vient avec un micro xy et un ms.
Le Cable Traktor DJ est en stock.
L'Audient ID 22 est arrivée au magasin. Deux superbes préamplis micro, un controle du monitoring, entrées digitales, tout pour faire un home studio de qualité exceptionnelle. Son prix? Pas assez cher.
Le Traktor Z1 (carte son et controleur) est en stock au magasin.
Antelope Audio annonce sa nouvelle merveille en convertisseur Digital - Analogique.
Il fournit le plus large DSD support avec un mode 256x et un taux d'echantionnage de 768kHz. Un systeme de rafraichissement de l'horloge permet de faire une sortie digitale sans jitter pour une qualité sonore exceptionnelle.
Le controlleur USB d'Antelope permet d'offre des taux d'échantillonnage 4 fois plus élevés que sur les appareils similaires.
Le premier préampli Weiss au format 500.
Une petit merveille de son pour un prix modique: 1512.- CHF
Une que le convertisseur est top, neutre, etc, mais qu'on a envie de donner une couleur spécifique à la prise, quoi de mieux que de se monter un petit rack en format 500. En effet, une fois le chassis, la base en 3, 6, 8, 10 modules achetée, on peut rajouter une élément quand le budget le permet. Entre 500.- et 1500.- le préampli, on peut choisir entre différentes couleurs. Depuis du Daniel Weiss super neutre à du Great River en gros tube, on retrouve un peu tous les fabricants entre-deux: Grace Design, Focusrite, Radial, Toft Audio, Harrisson, Tonelux, etc...
Envie d'essayer? Nous avons deux-trois modèle au magasin...
Wavelab 8 est en stock.
Version complete: 612.-
Mise a jour a partir de 111.-
The latest incarnation of WaveLab is the first choice for high-profile mastering engineers, musicians and hobby producers alike. With the new speaker management system, EBU-compliant loudness processing and a selection of mastering-grade plug-ins alongside 150+ further enhancements, WaveLab 8 is taking audio to perfection.
During the mastering process it is essential to monitor the pre-master on different speaker setups in order to ensure constant quality level. The good news is that WaveLab 8 comes with an integrated speaker management system, allowing you to switch between up to eight speaker setups for playback and record monitoring, including individual gain control for each output. In addition, the brand-new VST Audio Connection dialog allows you to set up individual output configurations for the respective loudspeaker channels and to conveniently adjust your input channe
The loudness war is over and dynamic sound is getting widespread — that's why WaveLab 8 features a full-fledged EBU R128-compliant loudness metering and processing solution. Besides the measurement of momentary, short term and integrated values displayed on dedicated scales, WaveLab also contains a zoomable loudness view that visualizes all values as a clear graph.
Steinberg's Loudness-, Pan- and Batch-Normalizer tools have been extended meet the requirements of EBU standards. If that wasn't enough, the powerful Global Analysis now also provides EBU-compliant measurement. Of course, WaveLab 8 also features True Peak support, which is reflected in many of WaveLab's tools, e.g. normalizers and various analysis functions.
WaveLab contains a plethora of plug-ins that take your audio files to perfection. Version 8 goes a step further and adds thee more effects to this impressive arsenal.
Thanks to its spectrum matching technology, Voxengo's CurveEQ is perfectly suited to fit the needs of mastering engineers. This versatile 64-band spline EQ with linear and minimum-phase modes also features a built-in professional-grade spectrum analyzer that allows for displaying, saving and loading static spectrum plots for comparison and matching purposes.
"Warm and rich" is among the most important characteristics when engineers describe their preferred style of compression. Tube Compressor was made to exactly reflect these demands. Known from the worlds most acclaimed music production system, Cubase 7, Tube Compressor not only shapes the dynamics of your signals very precisely but also colors them nicely.
WaveLab 8 contains the newly developed Steinberg Brickwall Limiter that keeps the audio signal from passing the threshold — a must-have for professional mastering applications. Parameters such as Drive, Attack and Mix let you individually adjust the character of the processing while the large VU meter provides excellent visual feedback.
Keep track of your plug-ins — WaveLab 8 introduces a plug-in chain window that hosts all inserted clip, track or master plug-ins in one single area. Now you can switch between different plug-ins with a single click. Also new in version 8 is the completely redesigned plug-in organization. The newly introduced plug-in settings dialog allows you to group and sort plug-ins by vendor, category and favorites, making it easy to manage your ever growing number of plug-ins.
Making audio editing faster and more convenient has been the main premise for the creation of WaveLab's new editing tools. One example is the time-saving Raise Selection function that allows you to adjust the level of individual clip regions in an instant. Plus, several new trim and split options have been added to the framework of the new Auto-Split function. What's more, you can now process selected regions of your audio file using e.g. a plug-in chain with just a single command, making comparisons between different editings a straightforward matter. And the new auto-replay option automatically re-triggers the playback right after your edit.
Stay in control — record, play, stop, loop, jog, shuttle, selections, markers and many other functions to speed up project navigation are now easily accessible via the new Master Transport Panel. Additionally, the Master Transport Panel features a status window that shows the time position, timecode, samples bars and beats.
Quality first for WaveLab 8 — the new MBIT+™ dither plug-in made by the specialists of iZotope provides the finest wordlength reduction algorithms available, allowing you to effectively convert and dither to 24, 20, 16, 12 or 8 bits. The advanced dithering process also reduces quantization distortion with minimal perceived noise. What you get is a smooth conversion and a major audible improvement.
The new SuperClip concept makes it easy to handle complex audio projects with a large number of clips by combining several clips into one SuperClip and still giving you the chance to edit these clips in internal sub-montages. Also new to WaveLab 8 is the Master Plug-In Section that enables you to save a plug-in chain locally with each single montage for total recall. To further enhance the quality of the mastering process, WaveLab 8 allows you to simultaneously use audio files of different sample rates. The target sample rate is chosen at the end of the mastering process, which leads to best sounding results.
With WaveLab 8 you get extensive metadata support for file formats such as ID3 v2, BWF, CART and iXML. Add information about the artist, pictures, copyright, the engineer’s name, date and many more to your audio files and provide your clients with valuable information. WaveLab 8 even allows for automatic creation of metadata. Besides, you can add various further technical information, enabling a flawless workflow with the CD manufacturer.
WaveLab 8 contains many additional improvements, such as 16-bit float waveform zoom resolution for ultra-precise editing as well as enhancements in the marker handling. Plus, you can transfer the master section plug-ins to a clip, track or the master plug-in area of a montage.
Not to forget the option to import dual-mono files and various improvements in the batch processing area. And the improved in-app help system provides guidance in any situation. In sum, the latest WaveLab version once again sets the standard in all aspects of professional mastering.